Eberbach St. Johannes Nepomuk
Vleugels, Hardheim 1972
Link, Giengen an der Brenz 2016
Intonation: Tilman Trefz, Stuttgart 2016
Disposition
Hauptwerk I | C-a''' | Schwellwerk III | C-a''' | |
Gedacktpommer | 16' | Principal (2016) | 8' | |
Principal | 8' | Metallgedackt | 8' | |
Flöte (2016) | 8' | Gamba | 8' | |
Viola (2016) | 8' | Schwebung | 8' | |
Octav | 4' | Octav | 4' | |
Spitzflöte (2016) | 4' | Harm. Flute (2016) | 4' | |
Quinte (2016) | 2 2/3' | Rohrnasat | 2 2/3' | |
Superoctav | 2' | Blockflöte | 2' | |
Sesquialter (2016) | 2 2/3 ' | Terz | 1 3/5' | |
Mixtur | 5 f. | Septime | 1 1/7' | |
Cornett | 8' | Octävlein | 1' | |
Trompete (2016) | 8' | Plein Jeu | 3-5 f. | |
Tromp. en Chamade | 8' | Fagott | 16' | |
Carillon I | Trompete | 8' | ||
Oboe (2016) | 8' | |||
Positiv II | C-a''' | Clairon | 4' | |
Holzgedackt | 8' | Tremulant III | ||
Quintade | 8' | Carillon III | ||
Salicional (2016) | 8' | |||
Principal | 4' | Pedal | C-g' | |
Rohrflöte | 4' | Untersatz | 32' | |
Nazard (2016) | 2 2/3' | Principalbass | 16' | |
Octav | 2' | Subbass | 16' | |
Hörnlein | 1 3/5' | Holzoctav | 8' | |
Quinte | 1 1/3' | Violon (2016) | 8' | |
Scharffcymbel | 4 f. | Gedacktpommer | 8' | |
Stahlspiel | 2 f. | Quintgedackt | 5 1/3' | |
Krummhorn (1994) | 8' | Choralbass | 4' | |
Tremulant II | Terz (2016) | 3 1/5' | ||
Carillon II | Bauernschall | 2 f. | ||
Waldflöte | 2' | |||
Hintersatz | 6 f. | |||
Posaune | 16' | |||
Trompete (2018) | 8' | |||
Clarine | 4' |
Koppeln: III–I, III–II, II–I, I–Ped, II–Ped, III–Ped,
Querkoppeln: Super III–Ped, Sub II–I, Sub II–II, Sub III–I, Sub III–III
elektrische Spiel- und Registertraktur, elektronischer Setzer, beweglicher Spieltisch
Chororgel
Tzschöckel, Althütte 1991
Umbau: Trefz, Stuttgart 2021
Disposition
Manual | |
Gedeckt | 8' |
Flöte | 4' |
Nasat | 1 1/3' bzw. 2 2/3' |
Prinzipal | 2' |
Pedal | |
Subbass | 16' |
Pedalkoppel, Schleifenteilung, fahrbares Podest, abnehmbarer Truhenteil,
separater Motorkasten